Among the recent generation of garage-pop groups with mostly female members, Frankie Rose, for all intents and purposes, could be considered the sub genre’s Kevin Bacon. The Brooklyn songstress has enjoyed spells with indie heavy hitters The Vivian Girls, Crystal Stilts and The Dum Dum Girls, as well as fronting her own band, The Outs, on their 2010 self-titled debut album.
And while it’s safe to say that all the above mentioned bands made their names on combining the innocence of 60’s girl group pop with waves of distortion, punk muscle, and insouciant melancholy, Frankie Rose appears to have bigger ideas on her mind. Flashes of brilliance on Frankie Rose and the Outs (including the delirious Spectorian harmonies of “Little Brown Haired Girls”) pointed out that Rose had no problem writing next-level pop songs that were at times notches above her reverb laden peers, and now her latest release Interstellar embraces influences that were rarely, if ever, associated with her former bands: chilly new wave, jittery post-punk, and Kate Bush inspired art-pop. Continue reading